Confusion Corner: Fleurie and Fleurieu

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Fleurie and Fleurieu…for years I thought they referred to the same place…you know—that delightful little hillside hamlet also known as “the Queen of Beaujolais.”

Right? Wrong. Even though the two words are differentiated by nothing but a tiny, final vowel…they could not be further apart. As in 9,975 miles (16,050 km) apart; like from France to Australia.

To clarify: Fleurie and Fleurieu are totally different spots, literally half-way across the world from each other. As they are both wine-producing regions, and official appellations in their respective countries, we find them smack in the middle of the confusion corner.

Let’s take a closer look at Fleurie (floo–ree) and Fleurieu (floo–ree–ah)…perhaps this will clear up the confusion!

Chapelle de la Madone, Fleurie, France

Fleurie: Fleurie AOC is one of the ten Crus of Beaujolais (France). It is located near the northern edge of the Beaujolais region, tucked between Moulin-à-Vent and Chiroubles. The area is nestled into a zone of steep hills, and the highest peak (at 1,400 feet/425 m) is home to the Chapelle of La Madone. The hillsides around the chapel—particularly those with a southeast-facing aspect—are home to the appellation’s finest vineyards. Fleruie is known for its pink granite soils, unique even in the granite-rich region of northern Beaujolais.

Like all Beaujolais Cru, the Fleurie AOC produces red wines based on the Gamay grape variety. Fleurie is considered one of the most delicate and elegant of the Crus—and is often described in floral terms such as iris, violet, and rose. Other typical descriptors include red fruit (strawberry, cranberry, red cherry, kirsch), blue fruit (blueberry, plum) and savory (mineral, black pepper).

Despite the fact that fleurie translates to flowery, the area is not named after the wine’s famously floral aromas. Rather, the area is named for a Roman legionnaire named Florus (sometimes written as Floricum) who, at one time, made his home among these hills. 

Vineyards in Fleurieu (McLaren Vale)

Fleurieu: The Fleurieu Zone is located on the coast of South Australia (south of the city of Adelaide). It is centered on the Fleurieu Peninsula—a bit of land that extends into the Great Australian Bight and defines the southern side of St. Vincent Gulf. The Fleurieu Zone (as a geographical indication) also includes Kangaroo Island, located about 11 miles/18 km west of the mainland.

The Fleurieu Zone is positioned at the 35th latitude, however, its location directly on the coast of the Indian Ocean means that the area enjoys a much cooler climate—typically defined as Mediterranean—as compared to South Australia’s more inland locations.  Shiraz is the leading grape variety here (as it is in much of South Australia), along with Cabernet Sauvignon, Chardonnay, and Sauvignon Blanc.

Map of the Fleurieu Zone via WineAustralia and Google Maps

In terms of geographical indications, the Fleurieu Zone includes the following five regions: Currency Creek, McLaren Vale, Kangaroo Island, Langhorne Creek, and Southern Fleurie. Of these, McLaren Vale—located about 22 miles/35 km south of the city of Adelaide and known for Cabernet Sauvignon—is undoubtedly the most notable.

The Fleurieu Zone does have a bit of a French connection—it was named after Charles Pierre Claret de Fleurieu, a French hydrographer who worked along the coast of South Australia in the early 1800s.

TL/DR: Fleurie = Beaujolais Cru, Fleurieu = South Australia (Shiraz, Cab Sauv)

References/for more information:

The Bubbly Professor is “Miss Jane” Nickles of Austin, Texas… missjane@prodigy.net

Sweet Secrets of the Northern Rhône (the Misfits Series)

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The 30-mile (72-km)-long stretch from Vienne to Valence in France’s Northern Rhône Valley is famous for its sturdy, Syrah-dominant red wines. Just whispering the word Hermitage (or Cornas or Côte-Rôtie) is enough to make a red wine lover smile. Equally well-known—albeit produced in much smaller amounts—are the fruity, floral, and powerful white wines of Condrieu and Château-Grillet (made from 100% Viognier). The area also produces sparkling wines down along its southern edge in the Saint-Péray AOC. While the Marsanne and Roussanne-based bubblies of Saint-Péray may seem somewhat out-of-place in the rough-and-tumble Northern Rhône, they are nevertheless well-known and acknowledged among well-informed enthusiasts and students of wine.

However, there is a secret whispered among the steep, hillside vines of the Northern Rhône, and you can hear it if you really try. It sounds like this—sweet wines are made here too. You may need to tread deep into the cellars to find these wines, but they are here: Hermitage Vin de Paille and Condrieu Doux.

The Condrieu AOC—located towards the northern end of the Northern Rhône, just south of the Côte-Rôtie—is a white wine-only appellation producing richly flavored and -textured wines from 100% Viognier. Like most Viognier-based wines, Condrieu AOC tends to be wildly aromatic, showing perfume-like scents of fruit (apricot, peach, tangerine, mango, fruit cocktail); flowers (honeysuckle, rose petals, jasmine) and baking spice (cinnamon, nutmeg, anise).

It’s a little-known fact, but (like many French wines), Condrieu was historically produced as a sweet wine. Harvest would traditionally begin on All Saint’s Day (November 1). It was not until the mid-1950s that the leading style of Condrieu shifted to the heady, dry wines that make up the majority of the production today.

In keeping with tradition, some wineries in Condrieu still produce sweet wines (alongside their dry versions). Cave Yves Cuilleron produces a sweet (11% RS) Condrieu, Condrieu Ayguets Doux. According to their website, the south-facing aspect of the vineyard promotes over-ripeness, and the grapes (harvested in stages from mid-October to mid-November) were at least partially affected by botrytis in the 2018 vintage. The resulting sweet wine was matured for eight months in oak barriques and emerged with “notes of candied fruits, honey, wax and mild spice.”

Other examples of sweet Condrieu include Domaine du Monteillet’s Condrieu doux Candice (made from 50% botrytized grapes), Domaine Christophe Pichon Cuvée Patience, and E. Guigal Condrieu Luminescence (produced only a few times over the history of the estate using ultra-over-ripe grapes).

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The Hermitage AOC—located on a famous south-facing, terraced hillside towering above the curving Rhône River and the town of Tain-Hermitage—is well-known for its sturdy, fruity-but-earthy Syrah-dominant red wines. The red wines of the region allow for the use of up to 15% (combined) Marsanne and Roussanne grapes, and white wines—based mainly on the Marsanne grape variety and known for being dry, sturdy, and long-lived—are produced as well.

Viticulture in Hermitage can be traced back thousands of years, and many people believe this hillside to be the actual—or perhaps just spiritual—birthplace of the Syrah variety. Vines were tended, and wine was produced in the area as far back as Roman times, when the local wine was referred to as the “wines of Vienne.” Among these ancient wines were sweet wines made from grapes allow to dry (raisinate) on straw mats after harvest. This style of wine—now known in this area as Vin de Paille—is being produced again, now under the auspices of the Hermitage AOC.

According to the rules and regulations, Hermitage Vin de Paille may be produced using the Marsanne and/or Roussanne grape variety. The grapes—which may be picked at a “typical” level of sugar ripeness—are left to dry on straw mats for a minimum of 45 days and until they have a minimum must weight of 350 g/l. While not required, the rich, sweet juice is typically barrel fermented and oak aged for several years before bottling. The resulting wines are intended to be very aromatic—redolent of candied fruit—with good levels of sugar and alcohol, and very well poised for long aging.

M. Chapoutier has—since 1990—occasionally produced a Hermitage Vin de Paille; the 2009 vintage was made from 100% Marsanne grapes that had been dried on straw mats for two months before pressing. The wine produced in 2009—which the winery advises may continue to successfully age for up to 50 years—has almost 15% abv and 10.5% residual sugar. The wine (as reported by the estate) has a deep, golden yellow color and intense aromas of candied fruits and honey. It is suggested to be served with fruit desserts…or as a dessert by itself.

Sweet wines of the Northern Rhône…they are fascinating, ancient, and true misfits, but secret no more!

References/for more information:

The Bubbly Professor is “Miss Jane” Nickles of Austin, Texas… missjane@prodigy.net

Fishbowl or Rabbit Hole? (How to Study for an Essay Exam)

I tend to dive deep down the rabbit hole while studying. A “quick search” for a definitive definition of llicorella once led me along a path leading from slate to metamorphic rock to sedimentary rock to clay to volcanic ask to foliated rocks and—finally, at the bottom of the tunnel—to quartz and (phew!) my desired definition of llicorella.

Jumping down the rabbit hole—studying a series of interrelated topics in minute detail—is all well and good, and I have benefited from my in-depth understanding of llicorella.

However, it is my opinion that if you have an essay test in your future, you should also include another form of study in your routine. I call this the “fishbowl” routine. Think of it this way: to the fish, the water in the bowl is the whole world. An observer knows that it is a tiny part of the world, but to the fish, it’s everything. When studying for an essay test, my advice is to look at a singular topic—whether it is white wines of Tuscany, Chardonnay across the world, or sugarcane juice-based rum—and study the whole topic. Don’t’ be distracted by anything else (anything outside of the fishbowl); but try to cover the length and breadth of the fishbowl topic.

Keep in mind that essays test you on the big picture. In addition to specific details, you will need to demonstrate your grasp of themes, relationships, and major concepts. You might be called on to use critical thinking, offer up an opinion, make a prediction, provide an analysis, or compare-and-contrast.

Here are some specific study techniques to use while studying for an essay test.

Study with the purpose of teaching. Strive to get to the point where you can comfortably speak about the topic—without looking at your notes—anticipating any questions that future students might ask. (Creating teaching materials, whether you will ever use them or not, is a great study technique for any type of test).

Review the material frequently to maintain a good grasp of the content—used spaced repetition.

Create an outline for an entire chapter or section in a book. Using the CSW Study Guide, the CSS Study Guide—or your reference material of choice—outline an entire chapter (Italy, Spain, Franc, Rum) or section (Tuscany, Rioja, Alsace, Rhum Agricole). Focus on the entirety of the material to envision the “big picture.”

Review your notes for recurring themes. Long time readers of this blog might recall that I like to approach the study of any wine or wine region along the following lines: location > terroir > grapes > style > terminology (in that order, as there could be causation/effect). Or, you can use “viti, vini, style” (viticulture, vinification, style) for wines; for spirits I use base ingredient > production techniques > style.

Make-your-own charts to represent differences/similarities. For instance, a good wine student knows that there are three main white grapes in the Loire Valley (Chenin Blanc, Melon, and Sauvignon Blanc). Make a chart with the three grape names across the top; list the wines/appellations known for each in the columns underneath. Here are a few other ideas: brands of whiskey (Bourbon vs. Tennessee Whiskey; Scotch distilleries by geographical indication), sparkling wines across the world, Muscat-based wines across the world, leading orange liqueurs, gravel soil across the wine-making world.

Visual mapping/concept maps: Make some free-form graphs or doodles to visually represent the relationships between themes or ideas and patterns that recur on a regular basis. You could create a concept map with Chardonnay in the center, surrounded by the concepts you believe to be important. These might include Old World Chard, New World Chard, varietal Chard, Chard in blends, Chard in sparkling wine, Chard in dessert wine, low-intervention Chard, high-intervention Chard, reductive Chard, oxidative Chard, cool climate Chard, warm climate Chard…and so on (and on and on and on).

Practice your critical thinking and analytical skills as you go. This is so much easier that it sounds. All you need to do is ask yourself why? Why is New Zealand Sauvignon blanc so zingy? Why is Burgundy Grand Cru expensive? Why is fino Sherry an acquired taste? Why is Cabernet Sauvignon the most widely planted vinifera grape in the world? Why is Caribbean rum distinctive?

Create summary notes: If you have used more than one reference (CSW Study Guide, Oxford Companion, World Atlas, Guild Somm, Wine Bible), grab your various stacks of notes and compile them all into one outline.

These suggested study techniques will help you prepare for any type of exam, whether it be verbal, short-answer, multiple choice or the dreaded essay exam—and can also prepare you to use your new-found knowledge in real life (which is the ultimate, end-game goal).

Always remember to enjoy your studies!  Click here to see more of our tips and tricks for the study of wine and spirits.

The Bubbly Professor is “Miss Jane” Nickles of Austin, Texas… missjane@prodigy.net

Happy June Solstice 2020!

Five Fast Facts about Muscadelle

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The Muscadelle grape is often mis-pronounced and mis-understood. (For the record, the English pronunciation sounds like this: muhs-kuh-del.)

Muscadelle has been the victim of multiple cases of mistaken identity. It  is NOT synonymous with Muscadet, it is NOT a close relative of Muscat (despite the indisputable similarities in grapey, floral aromas), and it is not another name for Muskateller. Once upon a time, it was believed that Muscadelle was another name for Hárslevelű, one of the leading grapes in the famous wines of Hungary’s Tokaj region. This led to the grape being known in some areas as Tokay. However—you guessed it—we now know that Muscadelle is NOT Hárslevelű.

Muscadelle is not, in fact Muscat, nor Muscadet, nor Hárslevelű. But it is a fascinating grape, and here are five fast facts to prove it!

Fast Fact #1: Muscadelle is believed to be native to the area around Bordeaux and the Dordogne in south-western France. It is the offspring of Gouis Blanc and as-yet-unknown variety. This means that Muscadelle is part of the extended Pinot Family and some sort of a half-sister to Chardonnay.

Fast Fact #2: As befits its native status, some of the largest plantings of Muscadelle are in Bordeaux. Here, Muscadelle plays what might be its most famous role—as the number three grape (after Sémillon and Sauvignon Blanc) in the white wines (both dry and sweet) of Bordeaux. However, even here it is grown in limited amounts, amounting to just over 2,000 acres (885 ha) and—when used—typically amounts to no more than 3% of the total blend. One exception is Château Palmer, a Troisième Cru located in Margaux, that often produces a white wine—Blanc de Palmer—with as much as 50% Muscadelle in the mix

Fast Fact #3: Muscadelle is a bit more highly appreciated in Bergerac, a region about 50 miles (83 km) inland (and down the Dordogne River) from Bordeaux. The grape is used in varying amounts in the dry white wines of the area, including those of the Gaillac AOC and the Bergerac AOC. Many people believe that Muscadelle shows best in a sweet wine that allows its rich, floral aromas to shine. The wines of the sweet-wine-only Monbazillac AOC (located just up the river from Bergerac) are among the finest to showcase the Muscadelle grape variety in this way.

Photo via Campbells of Rutherglen

Fast Fact #4: Australia’s Rutherglen GI has produced unique, fortified-and-oxidized wines since the 1850s. These wines, made in a range of styles, are primarily produced from Muscat and Muscadelle grape varieties. Rutherglen is one of the regions where—in days past—Muscadelle was known as “Tokay” and as such, some of these wines were known as “Liqueur Tokay.” The name of the wine has since been changed to “Topaque” (as part of an agreement between the EU and Australia). Campbells of Rutherglen describes their Topaque as follows: “Deep, brilliant old gold. Lifted toffee, honey and cold tea characters combine to produce the unique character of Rutherglen Topaque.”

Fast Fact #5: Muscadelle has some fun nicknames, including the following: Vesparo, White Angelica, Marseillais, Guilan Musque, Raisinote, and Musquette. In part of California it is known as Sauvignon Vert, but this should not be confused with that other, more famous grape (also) known as Sauvignon Vert (aka Sauvignonasse or Friulano).

References/for more information:

The Bubbly Professor is “Miss Jane” Nickles of Austin, Texas… missjane@prodigy.net

Eight Good Reasons to Tangle with the Text (before Class)

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If you are taking a wine or spirits class—or just about any academic-style class for that matter—you most likely have a textbook or other written content to accompany the class. In all likelihood, this material defines the structure of your class, and each individual class session is built upon a specific chunk of that content.

News flash: you will be a far better student, a far better colleague, and a more successful exam candidate if you read the assigned content BEFORE the scheduled class, webinar, or lecture.

Here is why:

You set yourself up to learn during class: If your webinar, class, or lecture is your first exposure to the material, it will be a series of “a-ha” moments, and you’ll have lots of basic, background questions running through your head. On the other hand, if the class is your second (or subsequent) exposure to the material, you will have already worked through the basics and will set yourself for deeper understanding and engagement with the material.

You build your all-important bank of background knowledge: By reading the content before class, you are expanding your background knowledge about the topic, and you have created more and more neurological pathways and connections between the bits of subject matter. In other words, you’ve created more “hooks” on which to hang the “facts” that you want to understand and remember.

You won’t injure your hand by maniacal scribbling: If you do not read the material beforehand, you’ll be tempted to write down almost everything the instructor says. While taking notes during a lecture is a great way to learn, the ideal ratio of note taking-to-listening is somewhere around 20%/80%. That means you are taking notes 20% of the time and listening the other 80% of the time. If you are writing most of the time, you will miss a lot of what is going on in the class or lecture.

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You are better able to focus during class: If you read the content before class, you will have a road map of sorts for the class; you have at least an idea of what to expect. As such, you will be able to follow along with ease.

You can dig deeper: If you show up for class with an understanding of the basics, you can use the class time to concentrate on the more challenging (or detailed) material. In addition, you can take advantage of the availability of the instructor to get your more complex questions answered.

You can jump-start your spaced repetition: If you read the material the day before class, the class itself can serve as your second exposure to the material. With a bit of pre-planning, your class can be a ready-made part of your program of spaced repetition.

You can un-learn what you need to: I can’t tell you how many times I’ve been teaching a class when someone asks a question that begins with the words but I thought (as in but I thought all Super Tuscans were 100% Cabernet Sauvignon).  If you always thought that all Super Tuscans were 100% Cabernet Sauvignon, a quick reading of chapter 10 in the Certified Specialist of Wine Study Guide will set your straight. If the subject is still confusing, you can bring it up during class, but the least you can to is come prepared.

And finally—we know (but we love you anyway): Here is a super-secret-teacher-truth: your teacher can easily tell if you have—or have not—read the material ahead of time based on your interactions during class. Just sayin’.

The Bubbly Professor is “Miss Jane” Nickles of Austin, Texas… missjane@prodigy.net

Shades of Schistosity

Shale

As a truly committed student of wine, you probably know that shale is a type of soft, foliated sedimentary rock composed (at least in part) of clay minerals and (sometimes) volcanic ash. Shale has visible stratification and a tendency to break or split along “layers” (known as “planes of weakness” or “rock cleavage” in geo-speak). This tendency to split along planes is known as fissility (which is just such a fun word).

You might also know that shale is well-represented in the vineyards of the world, including the Finger Lakes AVA (in New York State) and the Santa Cruz Mountains AVA (in California). Other wine areas known for shale-influenced soils include the western side of Paso Robles, the Mayacamas Mountains (between Napa and Sonoma), Heiligenstein (Alsace), and Austria’s Wachau region.

Shale is fascinating on its own but there’s more to the story, as shale can be transformed into slate, schist, or gneiss. These three types of rock are produced via varying degrees of metamorphism—changes resulting from heat, pressure, and deformation—and they all have different appearances and characteristics. Some of these differences are discussed below:

Slate

Slate: Slate, formed from shale, is a finely grained rock that may be formed under relatively low temperature and pressure conditions (low-grade metamorphism). Slate tends to be one solid color in addition to being very hard and brittle; when broken, it will form flat, smooth surfaces. Germany has several vineyards areas celebrated for their slate soils; these include the Mosel and the Rheingau—both of which also have significant outcroppings of shale (now we know why). Other wine areas rich in slate include the Clare Valley, the Cebreros VCIG (in Castilla y León), and Chile’s Aconcagua Valley.

Schist: Schist is formed (from slate or mudstone) under moderate levels of heat and pressure (metamorphic forces). Schist is identifiable by its visible “grains” (in layered formation), dull luster, and schistosity—the layer-like foliation that is found in certain coarse-grained metamorphic rocks. Despite the fact that it reminds me of a wine-geeky, made-up word (like matchsticky or porch-pounder), schistosity is a real thing.

Schist

Several vineyard regions are regarded as rich in both slate and schist; these include Priorat (Spain) and the Douro Valley (of Portugal). Parts of Tuscany are known for galestro—a soil rich in both clay and schist. Other areas known to be rich in schist include Corbières, Côte-Rôtie, Kastelberg (Alsace), the Valais (Switzerland), Ribeira Sacra, and Savennières. These areas are often described as having schistous soils—although schistous is definitely a made-up/wine geek word and does not appear in the geological lexicon (Maltman: Vineyards, Rocks, and Soils, p. 103). Schistes, however, is a real word (in French)—there is even a wine association to prove it: L’Association des Terroirs de Schistes.

Gneiss

Gneiss: Given the right combination of intense heat, pressure, and (perhaps) chemical activity, schist can transform into gneiss. Gneiss has visible “bands” of various colors composed of various minerals (gneissose banding). Having been formed under intense metamorphic pressures, gneiss is much heavier and harder than slate and schist and does not typically break along its foliation planes.

Vineyard regions known for gneiss include the Pays Nantais, Margaret River, Wachau, Kamptal, and the Middleburg AVA in Virginia (USA).

  • If you’d like to learn more about dirt, rocks, and soils, join me on May 2 (10:00 am) or May 6 (7:00 pm) for SWE’s Webinar, the Dish on Dirt. It’s free, and open-to-the-public. All of the other info is in the link.

References/for more information:

  • Feiring, Alice (2017). The Dirty Guide to Wine. New York: The Countryman Press.
  • Franzmeier, Donald, William McFee, John Graveel, and Helmut Kohnke (2016). Soil Science Simplified, 5th edition. Long Grove, Illinois: Waveland Press.
  • Maltman, Alex (2018). Vineyards, Rocks, & Soils: The Wine Lover’s Guide to Geology. New York, New York: Oxford University Press.
  • Robinson, Jancis and Julia Harding: The Oxford Companion to Wine, 4th Edition. Oxford, 2015: The Oxford University Press.
  • White, Robert (2009). Understanding Vineyard Soils. Oxford University Press.
  • http://www.terroirsdeschistes.com/
  • https://geology.com/rocks

The Bubbly Professor is “Miss Jane” Nickles of Austin, Texas… missjane@prodigy.net

 

 

Five Fast Facts about Budbreak

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Despite the craziness of the world around us, the natural cycle of life continues. One of the most fascinating to witness—for students of wine—is the life cycle of the vineyard. For those of us in the Northern Hemisphere, we are witnessing the blooming of spring—and along with it—the breaking of buds in the vineyard.

In homage to this annual miracle, here are five fast (fascinating) facts about budbreak in the vineyard.

#1: In a typical year in the Northern Hemisphere, budbreak will begin in mid-March. In years of oddball weather, it may begin to occur as early as mid-February or as late as mid-April. In the Southern Hemisphere, the process typically begins in mid-September, but can be as early as August or as late as October.

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#2: Within a single vine, those buds that are furthest away from the trunk will break first; in some cases, this may occur several days before those located closer to the trunk. This is particularly apparent when canes are left upright; in such cases the buds furthest from the trunk (the more distal buds) will be observed to burst several days before those closer to the trunk (basal buds). This phenomenon, known as apical dominance, can be avoided by bending or cracking the cane.

#3: The most direct correlation between mother nature and budbreak is the cumulative effect of the warming air temperature once it hits an average of 10°C/50°F. This temperature is sometimes referred to as the “growth threshold” and will signal the nascent buds to shed their fuzzy exterior and break free. Soil temperature may also be a contributing factor, so a wet-and-cold late winter (resulting in wet soils that retain the cold temperatures) can slide bud break back a few days or weeks. (According to the website of Penn State Extension/Wine and Grapes there is conflicting information on whether or not soil temperature affects the timing of bud break. In some studies, Cabernet Sauvignon vines show a correlation between the date of bud break and rising soil temperatures. Alternatively, some studies show no correlation between soil temperatures and the timing of bud break in Syrah.) Other factors that influence the timing of budbreak include photoperiod (day length) and chemical (hormonal) plant growth regulators that help to maintain the plant’s period of dormancy even in the face of mid-winter warm spells.

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#4: While many factors contribute to the timing of budbreak in a given vineyard in a given year, some varieties are known for their tendency towards early budbreak. Likewise, some grapes tend to be late breakers. Here is a list of some of the better-known varieties, arranged by their tendencies regarding bud-break and ripening:

  • Early bud break/early ripening: Chardonnay, Pinot Noir, Merlot
  • Early bud break/mid-to-late ripening: Chenin Blanc, Grenache, Viognier
  • Late bud break/early ripening: Sauvignon Blanc, Syrah
  • Late bud break/mid-to-late ripening: Riesling, Cabernet Sauvignon

#5: Fun with fruit trivia: Grapevines need a slightly higher base (air) temperature than is required to induce bud break in many other fruits. Fruit trees such as apple, peach, cherry, and apricot tend to break bud when the average air temperature reaches 39° to 41 °F (3.8° to 5°C).

The most important aspect of bud break, at least in my opinion, is that is represents the hope for a successful year, to be followed by flowering, fruit set, veraison, ripening, harvest, and (several months or several years later) more wine for all of us lucky humans. Bring on the buds!

References/for more information:

The Bubbly Professor is “Miss Jane” Nickles of Austin, Texas… missjane@prodigy.net

Confusion Corner: Slovenia, Slavonia, Slovakia

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As a wine student, you’ve heard the terms…Slovenian Sivi Pinot and Slavonian Oak. You may also have heard that a tiny portion of the Tokaj region crosses the border of Hungary, extending into Slovakia.

You may have thought that these three terms—Slovenia, Slavonia, Slovakia—are so similar in spelling and pronunciation that they represent the exact same thing expressed in three similar languages. (I thought that for a very long time.) However, here’s the truth: these are three separate places in three distinct countries, and they each have their own fascinating story when it comes to wine.

So here goes:

Slovenia: Slovenia is one of the countries to emerge from the Kingdom of Yugoslavia (1918–1941)—later known as the Socialist Federal Republic of Yugoslavia (1945–1992). Others include Croatia (more on that later), Montenegro, Bosnia–Herzegovina, and Serbia. Slovenia is a mountainous country located just to the east of Italy’s Friuli Venezia Giulia region.  Slovenia has been a member of the European Union since 2004.

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Slovenia’s wine connection: Slovenia—located between Italy, Austria, Croatia, and Hungary—has a long history of viticulture and wine production. Many of Slovenia’s wine regions are located along the border with Italy, and could almost be considered “extensions” of the Italian areas; these include Slovenia’s Goriška Brda region that rests alongside Italy’s Collio Goriziano DOC, as well as Slovenia’s Kras region/Italy’s Carso DOC. Slovenia has close to 22,300 ha/55,100 acres of vineyards. Approximately 75% of the country’s output is white wine; leading white grapes include Riesling, Gewürztraminer (Traminec), Müller-Thurgau (Rizvanec), Pinot Gris (Sivi Pinot), Sauvignon Blanc, and Ribolla Gialla.

Slavonia: Slavonia is—along with Istria, Central Croatia, and Dalmatia—one of the four historical regions of Croatia. Croatia—one of the countries to emerge from the Kingdom of Yugoslavia (along with Slovenia)—became a member of the EU in 2013. The Slavonian region is located in the eastern (inland) section of Croatia; it borders Hungary (to the north), Serbia (to the east), and Bosnia–Herzegovina (to the south).

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Slavonia’s wine connection: Croatia has a long and well-documented history of wine production as well as international fame as the native home of the Crljenak Kaštelanski grape variety and its lineage (including Primitivo and Zinfandel). Croatia’s vineyards are divided roughly into two sections—Kontinentalna Hrvatska (inland, or continental Croatia) and Primorska Hrvatska (coastal Croatia)—and contain several EU-designated geographical indications.

However…the region of Slavonia is particularly famous for its oak. The next time you hear of a wine being aged in Slavonian oak barrels, please direct your thoughts to the lightly forested, inland area of northern Croatia. Slavonian oak—known for its compact fibers, tight grain, and sweet aromas—allows wine to undergo a long, slow oxidation in the barrel. Large barrels made from Slavonian oak are all the rage in Tuscany, Veneto, and Piedmont. The next time you enjoy Amarone, Chianti Classico, or Barolo, check the winemaker’s notes—it might have spent some time in Slavonian oak.

Slovakia: Along with the Czech Republic, Slovakia is one of the two countries to emerge from the sovereign state of Czechoslovakia, which lasted from 1918 (upon the dissolution of the Austro-Hungarian Empire) to 1993 (when it peacefully dissolved into the two countries). Slovakia is a landlocked country tucked between Poland, Ukraine, Hungary (to the south), Austria, and the Czech Republic. Slovakia has been a member of the EU since 2004.

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Slovakia’s wine connection: Slovakia has over 20,000 ha/49,000 acres of vineyards. The country has 400 wineries and nine EU-designated protected (PDO) regions. The majority of the vineyards are located along the country’s western border (alongside Austria) and southern border (alongside Hungary).  Leading white grapes include Grüner Veltliner, Welschriesling, Müller-Thurgau, Riesling, and Pinot Gris; leading red grapes include Blaufränkisch, St. Laurent, Cabernet Sauvignon, and Pinot Noir. Outside of Europe, the wines of Slovakia are not (yet) very well-known; however, the area is famous for its production of Tokajská—a small portion of  Hungary’s famous (and historic) Tokaj-producing region extends northward into Slovak territory. When Hungary and Slovakia joined the European Union in the early 2000s, both countries agreed to abide by the same standards in viticulture, wine production and labeling for the wines labeled as Tokaji or Tokajská.

References/for more information:

The Bubbly Professor is “Miss Jane” Nickles of Austin, Texas… missjane@prodigy.net

eBook—The Bubbly Professor’s Guide: How to Study for a Wine or Spirits Theory Exam

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We’re pleased to announce the publication and release (for FREE) an eBook entitled :The Bubbly Professor’s Guide: How to Study for a Wine or Spirits Theory Exam.

This material, based on extended research as well as my personal experience as a lifelong learner and 25+ years as a professional educator, was originally published—bit by bit—as a series of blog posts on here on the Bubbly Professor.

I began to post learning-and education-based articles on the blog many years ago. I had noticed, over the decades, that my students—whether they be young or old, based in the United States or China, college students or middle-aged career-changers—all shared the same common concerns about how best to tackle the overwhelming task of studying wine and spirits. Eventually, I ended up with a series of articles directed at adult learners that were scattered throughout the blog and as such, not conducive to ease-of-use.

For that reason, I have put together this booklet that brings all the information together in one place. It is currently offered free-of-charge and available to all interested parties.

Keep in mind that it is likely that not everything in this booklet with resonate with you; people certainly learn in different ways and at their own pace. However, for those that take the time to read it over, I hope it helps you with your study plans and goals.

To download the ebook (in pdf form), just click here: The Bubbly Professor on How to Study for a Wine or Spirits Theory Exam

I welcome your comments and questions, and may be reached at: missjane@prodigy.net

Happy Studies!

Jane A. Nickles